The Journey through Jazz: HKIED Jazz Ensemble
The Journey through Jazz: Hong Kong Institute of Music (HKIED) Jazz Ensemble at the 5th JEN Conference By Dr. Sheung-Ping Lai, Hong Kong Institute of Education
The Journey through Jazz: Hong Kong Institute of Music (HKIED) Jazz Ensemble at the 5th JEN Conference By Dr. Sheung-Ping Lai, Hong Kong Institute of Education
Collective Improvisation in Big Band Dr. John Reynolds One of the real challenges a big band director faces in daily rehearsal is how to get
Cherish the Legacy of Billy Strayhorn by Gregory A. Morris, Ph.D. This JEN conference has great significance for the heirs of William Thomas Strayhorn, also
7 Improvisation Experiences for Young Children By Dr. Darla S. Hanley Dean of the Professional Education Division, Berklee College School of Music; JEN Past Board
How JEN Helped Me By Monica Shriver Performer, Educator, JEN Member I’m often asked what JEN is all about and why I attend the Jazz
Two Simple Ideas to Improve Ensemble Intonation By Ryan Adamsons This article is an excerpt from The Jazzer’s Cookbook, edited by JEN Co-Founder and Past President
Chord Spelling Standardization By Jerry Tachoir While attending Berklee College of Music from 1973 – 76, there was a campaign underway to standardize the spelling
How to Make Marketing Yourself on Social Media Less Overwhelming By Marina Terteryan JEN Marketing & Communications Coordinator // Integrated Marketing Consultant As a marketing
Leading by Example: Jazz in 21st Century Education By JR Gould When John Adams said, “There are two educations. One should teach us how to
Jazz Industry & Music Business Committee Examines The U.S. Copyright Office Study on Music Licensing Part II By Cheryl Slay Carr This article is the second in
ADVANCING EDUCATION. PROMOTING PERFORMANCE. DEVELOPING AUDIENCES.
JEN is committed to representing and cultivating diversity, equity, inclusion, and access in all areas of its operation including staff, board members, volunteers, presenters, clinicians, performers and audiences. This commitment is present in all programs and decision making.
Swiss/Dutch saxophonist Charlotte Lang was born in 1996 in Basel and studied the bachelor and master program at the JAZZCAMPUS Basel under the guidance of Domenic Landolf and Daniel Blanc. She is currently studying the Master of Music in Global Jazz at the Berklee College of Music in Boston under the artistic direction of Danilo Pérez. In addition she is part of Terri Lyne Carrington’s Berklee Institute of Jazz and Gender Justice.
From 2015 to 2018, Charlotte she was a member of the Swiss National Youth Jazz Orchestra under the direction of Christian Muthspiel. Since 2020, she became a member of the German National Youth Jazz Orchestra (Bundesjazzorchester Deutschland), under the direction of Niels Klein and Ansgar Striepens. She also plays is the Austrian FJO (Frauen Jazz Orchester→Women Jazz Orchestra of Austria).
In 2021, Charlotte founded her own Quintet the „Charlotte Lang Group“, for what she is composing, arranging and booking. In the fall 2023, her first album will be recorded and hopefully released by a renowned label.
Charlotte plays in the “Swiss Jazz Orchestra” and the “Zurich Jazz Orchestra”, the two professional Big Bands of Switzerland.
Charlotte recently got the unique opportunity to write a monthly blog for the Swiss Jazz & Blues Magazine called JAZZTIME, to tell readers about her time at abroad and specifically her time at Berklee. Her graduate program lasts only until the summer of 2023. She hopes to stay in the United States to enlarge her network and build her musical career.