Teaching Jazz Standard Writing in a College-Level Songwriting Class Setting
Songwriting has become an essential skill for future musicians. It is inevitable for musicians to write a wide variety of songs according to the ongoing changes
Songwriting has become an essential skill for future musicians. It is inevitable for musicians to write a wide variety of songs according to the ongoing changes
Natural Harmonization (Part II) Harmonizing a Melody in a Natural Way by Dr. Sócrates García A question I get frequently asked at my clinics is
Natural Harmonization (Part I) Harmonizing a Melody in a Natural Way by Dr. Sócrates García A question I get frequently asked at my clinics is
Cherish the Legacy of Billy Strayhorn by Gregory A. Morris, Ph.D. This JEN conference has great significance for the heirs of William Thomas Strayhorn, also
Chord Spelling Standardization By Jerry Tachoir While attending Berklee College of Music from 1973 – 76, there was a campaign underway to standardize the spelling
Jazz Industry & Music Business Committee Examines The U.S. Copyright Office Study on Music Licensing Part II By Cheryl Slay Carr This article is the second in
Jazz Industry & Music Business Committee Examines The U.S. Copyright Office Study on Music Licensing Part 1 By Cheryl Slay Carr Last month the U.S. Copyright
The Big Band Music of David Baker by Monika Herzig We recently lost one of our jazz legends, David Baker, but his legacy continues. The
Infusing Student Composition Into Your Jazz Program by Dr. David Fodor Many school jazz programs today feature outstanding performance ensembles. Students are well trained in
ADVANCING EDUCATION. PROMOTING PERFORMANCE. DEVELOPING AUDIENCES.
JEN is committed to representing and cultivating diversity, equity, inclusion, and access in all areas of its operation including staff, board members, volunteers, presenters, clinicians, performers and audiences. This commitment is present in all programs and decision making.
Swiss/Dutch saxophonist Charlotte Lang was born in 1996 in Basel and studied the bachelor and master program at the JAZZCAMPUS Basel under the guidance of Domenic Landolf and Daniel Blanc. She is currently studying the Master of Music in Global Jazz at the Berklee College of Music in Boston under the artistic direction of Danilo Pérez. In addition she is part of Terri Lyne Carrington’s Berklee Institute of Jazz and Gender Justice.
From 2015 to 2018, Charlotte she was a member of the Swiss National Youth Jazz Orchestra under the direction of Christian Muthspiel. Since 2020, she became a member of the German National Youth Jazz Orchestra (Bundesjazzorchester Deutschland), under the direction of Niels Klein and Ansgar Striepens. She also plays is the Austrian FJO (Frauen Jazz Orchester→Women Jazz Orchestra of Austria).
In 2021, Charlotte founded her own Quintet the „Charlotte Lang Group“, for what she is composing, arranging and booking. In the fall 2023, her first album will be recorded and hopefully released by a renowned label.
Charlotte plays in the “Swiss Jazz Orchestra” and the “Zurich Jazz Orchestra”, the two professional Big Bands of Switzerland.
Charlotte recently got the unique opportunity to write a monthly blog for the Swiss Jazz & Blues Magazine called JAZZTIME, to tell readers about her time at abroad and specifically her time at Berklee. Her graduate program lasts only until the summer of 2023. She hopes to stay in the United States to enlarge her network and build her musical career.