The All-State Hustle
THE ALL-STATE HUSTLE by Todd Stoll DISCLAIMER: I am not against new music. I am in favor of new music, and believe jazz has contemporary
March 4, 2019
JAZZ EDUCATION NETWORK
JAZZ EDUCATION NETWORK
THE ALL-STATE HUSTLE by Todd Stoll DISCLAIMER: I am not against new music. I am in favor of new music, and believe jazz has contemporary
OUR CONFERENCE, OUR COMMUNITY by Todd Stoll Our Conference, Our Community I write this as I reflect back on the 10th annual JEN conference that
TEACHING MUSIC IN THE 21st CENTURY by Todd Stoll Three years ago, I wrote a piece that was picked up by Time magazine, it was
“Is Jazz Boring?” by Todd Stoll Is jazz boring? I don’t mean that it IS…but, I find myself many times puzzled by my own reaction
“Thoughts On Education” by Todd Stoll Some thoughts on jazz education… By one publishing professional’s count, there were nearly 1,000 method books, solo transcriptions, and
“Ancestral Instinct” by Todd Stoll Aretha Franklin, another great master of American music and arts, has passed. With that comes the important moments spent contemplating
IN THE SPIRIT OF SWING by Todd Stoll Scrolling through my Facebook feed, dodging political posts (nearly impossible these days…) I am inspired and heartened
Welcome to the Jazz Education network! This is my first note as President, and I am thrilled to be of service to this music that
AT LAST! by Caleb Chapman And just like that, two years is over. Like most milestones in our lives, the conclusion of my service as
YES, THE WORLD STILL NEEDS JAZZ EDUCATION! by Caleb Chapman Jazz has passed the century mark and organized jazz education isn’t too far behind. It’s
ADVANCING EDUCATION. PROMOTING PERFORMANCE. DEVELOPING AUDIENCES.
JEN is committed to representing and cultivating diversity, equity, inclusion, and access in all areas of its operation including staff, board members, volunteers, presenters, clinicians, performers and audiences. This commitment is present in all programs and decision making.
Swiss/Dutch saxophonist Charlotte Lang was born in 1996 in Basel and studied the bachelor and master program at the JAZZCAMPUS Basel under the guidance of Domenic Landolf and Daniel Blanc. She is currently studying the Master of Music in Global Jazz at the Berklee College of Music in Boston under the artistic direction of Danilo Pérez. In addition she is part of Terri Lyne Carrington’s Berklee Institute of Jazz and Gender Justice.
From 2015 to 2018, Charlotte she was a member of the Swiss National Youth Jazz Orchestra under the direction of Christian Muthspiel. Since 2020, she became a member of the German National Youth Jazz Orchestra (Bundesjazzorchester Deutschland), under the direction of Niels Klein and Ansgar Striepens. She also plays is the Austrian FJO (Frauen Jazz Orchester→Women Jazz Orchestra of Austria).
In 2021, Charlotte founded her own Quintet the „Charlotte Lang Group“, for what she is composing, arranging and booking. In the fall 2023, her first album will be recorded and hopefully released by a renowned label.
Charlotte plays in the “Swiss Jazz Orchestra” and the “Zurich Jazz Orchestra”, the two professional Big Bands of Switzerland.
Charlotte recently got the unique opportunity to write a monthly blog for the Swiss Jazz & Blues Magazine called JAZZTIME, to tell readers about her time at abroad and specifically her time at Berklee. Her graduate program lasts only until the summer of 2023. She hopes to stay in the United States to enlarge her network and build her musical career.